and the G blues scale (G, Bb, C, Db, D, F) with the additional inclusion of the 6th, E and the 2nd, A. In bar 3 into bar 4, I switch to playing lines based on G major pentatonic (G, A, B ...

as I descend the A blues scale while also touching upon the chord’s major 3rd, C#. When the progression moves to D7 in bar 5, I similarly describe a D9 sound (D, F#, A, C, E) by playing the ...