Harvard Art Museums’ exhibition of paintings and prints by the Norwegian artist highlights his processes and practice of ...

As Western art’s most memorable utterance of existential pain, Edvard Munch’s The Scream is naturally understood as a definitive glimpse ... To those who say – not unreasonably – that it’s precisely ...

At his death, in 1944, Edvard Munch left hundreds of artworks to the city of Oslo—enough to fill a dedicated museum and then some. Because Munch had sold well during his long career, plenty more ...

The painter’s portraits reveal less a tortured loner than a man who thrived in company.

And much of what’s on display in “Edvard Munch: Technically Speaking” evokes pain and isolation. After all, two of the key pieces in the exhibit are named “Melancholy” and “Two Human ...

Walking from the bright, open, sun-lit spaces of the main Harvard Art Museums galleries into the dark emerald walls and rich, oak-wood floors of the “Edvard Munch: Technically Speaking ...