What’s not to love about Betty Boop, U.S.-based international ambassador? It’s a rhetorical question, folks. She cannot be fired. Vastly improved from its Chicago tryout — Mitchell being a ...

Who’s Betty Boop? Beyond the iconography you might have seen on a lunchbox or keychain, what do you really know? You can recognize her curls, her red flapper dress, and her pursed lips ...

Photo: BOOP! The Betty Boop Musical is exuberant fun. Photo courtesy of Matthew Murphy and Evan Zimmerman / Provided by BBB with permission. NEW YORK — On Broadway right now, at least in the musical ...

Betty's on Broadway ... Roosevelt Musical,’ is no less ludicrous than the real-life ‘Boop! The Musical.’ Chris Jones, Chicago Tribune: Director Jerry Mitchell’s sing-and-smile-along ...

As Betty, the flapper of early talkie cartoons, Jasmine Amy Rogers is immensely likable. She sings fabulously, sports a credible perma-smile, nails all the Boop mannerisms and has a fetching way ...

Most impressively for the newcomer, she’s h anded the tricky task of bringing to life a silly and largely irrelevant cultural icon — the 1930s cartoon character Betty Boop — and t ...

Nicole Scherzinger channelled animated cartoon Betty Boop as she attended the premiere of the musical inspired by the character this weekend. The actress and singer, 46, was at the opening night ...

Supported by By Michael Paulson Betty Boop has arrived on Broadway ... Fleischer countered by pointing out that a Black singer, Esther Lee Jones, who performed as Baby Esther, had used similar ...

Still, I wondered how these Broadway veterans and their collaborators could cull a two-act musical from the adventures of Betty Boop, the curvy, doe-eyed animated figure who became a screen sensation ...

Unlike Barbie, who has had a ubiquitous cultural presence for decades, Betty Boop is a Depression-era cartoon character of a jazz-age flapper, and in looks, attitude and style, she is of her time ...

That musical is Boop!, a bright, colorful extravaganza of nostalgic comedy, charming songs, and high-stepping choreography at the Broadhurst Theatre. Book writer Bob Martin teamed up with David Foster ...