The Monkey is the latest Stephen King adaptation but the new film makes some changes to the story and it's not a bad thing.

but James provides Hal and Bill with a real vulnerability that kept me invested in their quest to get that dang monkey to stop killing people. Hal’s difficulty opening up to people and strained ...

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(One can surmise that The Monkey was originally at WB/New Line given Wan’s previous first-look deal and Safran’s long-running standing there.) Fortunately, Wan and Safran supported Perkins ...

When twin brothers Hal and Bill discover their father's old monkey toy in the attic, a series of gruesome deaths starts occurring all around them.

In theaters. Meet Injurious George. The supernatural villain of “The Monkey,” writer-director Osgood Perkins’ one-note followup to last year’s surprise horror hit “Longlegs,” is a toy ...

But “The Monkey,” which Perkins adapted from a 1980 short story by Stephen King, doesn’t build on the earlier film’s promise. On the contrary, it’s a ham-handed, lurchingly obvious mess ...

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“Everybody dies, and that’s life.” This repeated line in Oz Perkins’ twisted “The Monkey” sums up its main theme of the inevitable brutality of life, something the filmmaker knows all too well. The ...

Reveling in kills that are senseless, aggressive, and increasingly imaginative and nightmarish, The Monkey is not just a stomach-churning treat for horror fans. It also feels like a challenge ...

Plus, Neon has been cleverly stunting this movie with a funeral session church premiere, Hollywood Cemetery fan screenings and 8-foot tall monkey statues in multiplex lobbies — which take six pe ...