资讯

New York Classical Review9 天
A Stravinsky night to remember with Kopatchinskaja‘s Philharmonic debut
The main attraction at New York Philharmonic concerts in David Geffen Hall this week is newness. It comes in two parts; a ...
New York Classical Review3 天
Met’s terrific “Barber” cast serves up a riotous evening of Rossini
Isabel Leonard and Lawrence Brownlee star in Rossini’s II Barbiere di Siviglia at the Metropolitan Opera. Photo: Marty Sohl ...
New York Classical Review2 天
Staged reconstruction of Bach’s lost “St. Mark Passion” makes impressive premiere
The Passion story—the events leading up to the death of Jesus, as recounted in the four gospels of the New Testament—is ...
New York Classical Review7 天
Choral Society, soloists deliver a worthy Verdi Requiem at Carnegie
Another way to look at it was, by playing it like concert music, the most lyrical parts, those that fit most easily into ...
New York Classical Review13 天
Heggie premiere caps impressive recital by London laureate Moore
Before the new piece’s premiere, Nora London’s grandson Eric London Wollberg, treasurer of the London Foundation, came ...
New York Classical Review15 天
After a lightweight premiere, Schumann provides the ballast with NYP, Szeps-Znaider
The theme for this week’s New York Philharmonic program, led by guest conductor Nikolaj Szeps-Znaider, could be Central Europe, with all the music originating from there 200 years apart. The theme ...
New York Classical Review15 天
Mutter recital spreads a rich table, including a striking Iranian premiere
Orkis’s fingers were in perpetual, pearly motion in the Allegretto, with Mutter first commenting drily, then joining in the scurrying about. The ensuing theme-and-variations displayed both players’ ...
New York Classical Review9 天
Uchida casts a spell with First and Second Viennese masters
Two-dimensional and daunting on the printed page, Schoenberg’s atonal music developed depth and character through Uchida’s artful voicing of its singing theme and flickering fantasms. The second piece ...