Maud Kathleen Lewis (née Dowley; March 7, 1903 – July 30, 1970) was a Canadian folk artist from Nova Scotia. [2] She lived most of her life in poverty in a small house in Marshalltown, Nova Scotia .

Maud Lewis (1901–1970) has become one of Canada’s most renowned artists, the subject of numerous monographs, novels, plays, documentaries, and even a feature film. She was born into relative comfort and obscurity, and died in poverty, though enjoying national fame.

2023年11月9日 · Directed by Aisling Walsh, ‘Maudie’ is a drama biopic about the life and hardships of famous folk artist Maud Lewis. Born with birth deformities, Maud suffers from rheumatoid arthritis, with her condition rapidly deteriorating with age.

2018年11月14日 · Maud Lewis (March 7, 1903 – July 30, 1970) was a 20th-century Canadian folk artist. With a focus on subjects in nature and ordinary life and a folk style of painting, she became one of the best-known artists in Canadian history.

Maud Lewis was a Canadian painter and folk artist. Her artistic talents were largely hidden throughout much of her life — a result of poverty, shyness and social anxiety brought on by suffering from severe birth defects.

Maud Kathleen Lewis (née Dowley; March 7, 1903 – July 30, 1970) was a Canadian folk artist from Nova Scotia. Living in poverty with her husband in a small house in Marshalltown, Nova Scotia, most of her life, she achieved national recognition in 1964 and 1965.

2017年6月16日 · Canadian folk artist Maud Lewis spent 32 years of her life in a one-room house on a secluded dirt road in Nova Scotia. By the time of her death in 1970, she’d covered nearly every surface of the little home with joyous paintings: Clusters of tulips filled the windows, birds and butterflies fluttered across the door.

Academy Award® nominees Sally Hawkins (Happy-Go-Lucky, Blue Jasmine) and Ethan Hawke star in the true story of Maud Lewis, who overcame the physical challenge of juvenile rheumatoid arthritis to become one of Canada’s premier folk artists.

Maud Dowley Lewis was born March 7, 1903 in South Ohio, a community near Yarmouth. Her father Jack would provide a moderately prosperous living as a respected craftsman, making harnesses and serving as a blacksmith.

Maud Lewis exemplified the simple life. But simple doesn’t mean dull. The simplicity of her paintings, brushed initially with scrounged paint from local fishermen onto ubiquitous green boards and post cards, continue to evoke feelings of innocence, of child-like exuberance as enduring as the spring times she loved to paint.