Vajrayogini belongs to the 'wisdom class' of Anuttarayoga Tantra and arises specifically from the Chakrasamvara Cycle of Tantras. Popularized by the Indian mahasiddha Naropa, in the Sarma Tradition of Tibet, the practice of Naro Khechari is included amongst 'the 13 Golden Dharmas' of Glorious Sakya.

Each aspect of Vajrayoginī's form and mandala is designed to convey a spiritual meaning. For example, her brilliant red-colored body symbolizes the blazing of her tummo (candali) or "inner fire" of spiritual transformation as well as life force , blood of birth and menstrual blood. [9]

This ritual mandala plate with the female deity Vajrayogini at its center is used primarily during an initiation ceremony. The painted depiction of the deity is representative of the body-heap mandala.

The mandala of Vajrayogini is very easy to visualize as compared to more complex Highest Yoga visualizations of most other practices. The Double Tetrahedron, as depicted here, is actually three-dimensional.

In the center of two crossed red triangles stands Vajrayogini, red in colour, with one face and two hands. In the left hand, held up to the sky, is a skullcup and in the right a curved knife pointed downward.

Vajravarahi is one of the most popular and commonly depicted meditational deities of Tantric Buddhism. She is also found in the same Sanskrit literature (Abhidhana Uttaratantra) that describes the deity Chakrasamvara. Vajravarahi is a form of the deity Vajrayogini.

2016年8月12日 · Just like her iconography, Vajrayogini’s mandala is filled with symbolism that represent various aspects of the Buddha’s teachings. The five-coloured fire of the protection circle symbolises Vajrayogini’s omniscient wisdom and ultimate Bodhicitta.

These three mandalas need explaining, but any yogis or yoginis among us today who practice Vajravarahi will know about them. When a number of different mandalas must be accomplished individually within a sadhana, there is a specific mantra for each of them.

Meditation on the Mandala of Vajrayogini There is the sixty-four vajra ground, sixty-four vajra fence, tent and canopy. Outside of this blazes a mass of five-coloured flames swirling counter-clockwise.

This ritual mandala plate with the female deity Vajrayogini at its center is used primarily during an initiation ceremony. The painted depiction of the deity is repres …